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Neo-TaoismIn the third century and fourth centuries A.D. (the so-called Wei-Chin period) there was a second flowering of Taoism. Historians sometimes ascribe this at least partly to the chaos and corruption of the late Han dynasty and the repeated wars, droughts and floods of the time. These adverse circumstances lead a number of thinkers and philosophers to withdraw both from the corruption of the state and from the dry academic debates which had turned state Confucianism into dry scholasticism. This rejection of the social and philosophical dogmas developed in two directions.
Pure Conversation (Ch'ing-t'an) SchoolThis is a name given to a group of younger thinkers
and poets who explored issues of Taoism from a 'light' and poetical
aspect very much in the spirit of Chuang-Tzu, seeking to free the spirit
and sharpen the imagination. Their writing and poetry displays lofty
ideals and a certain wit, whether on matters of sex or of poetry.
The most famous of this group were the Seven Worthies of the Bamboo Grove who included Juan Chi (210-263 A.D.) who advocated becoming one with the universe and transcending all distinctions; and Hsi K'ang (223-262 A.D.). According to Wing-Tsit Chan; "These men often met in bamboo groves to drink, write poems, and talk and behave in utter disregard for social conventions or worldly values."
Metaphysical (Hsuan-hsueh) SchoolThis important school of thought was lead by philosophers such as Wang Pi (A.D. 226 - 249), Ho Yen (died 249 A.D.) and Kuo Hsiang (died 312 A.D.). These philosophers sought to both expand Taoism and to reconcile Taoism and Confucianism.
Wang PiTalisman for Protection in the Mountains. Wang Pi wrote commentaries on both the Tao Te Ching and the I Ching. In relation to the latter he was an early exponent of the idea that an explanation of being could be found in the I Ching hexagrams, in which the mingling of the lines in the trigrams illuminate the principles of being and of how to undertake an analysis of it. These ideas were later to penetrate into Tai Chi Chuan with a similar association of the I Ching and the movements of Tai Chi. Although he died very young (at age 24) he made a major contribution to Chinese Cosmogony with his theory of 'original non-being (pen-wu). According to his theory original non-being transcends all distinctions and descriptions. it is the pure, original substance (pen-t'i) which is whole and strong and always in accord with principal. This emphasis on 'principal' is prominent in his work in contrast to Lao Tzu's focus on destiny or fate (ming). In this he anticipates the later Neo-Confucians.
Ho YenHo Yen stressed the idea that non-being (wu-wei)
is nameless and is beyond forms and words. In his social and political
though he (like Wang Pi) was much influenced by Confucianism for in
their view it was Confucius who demonstrated the highest truth in human
society.
Kuo HsiangTalisman to establish contact with the Spirits of Earth and Wind. Kuo Hsiang wrote about the interdependency of self and other and of how these concepts are mirror images, one relying on the other for existence. Each being needs the universe to be just what it is if it is to exist at all. If a single principle was violated nothing could exist. Much of Kuo Hsiang writing took the form of commentary on Chuang Tzu and just as Wang Pi developed on Lao Tzu, Kuo Hsiang developed the ideas of Chuang Tzu. The major concept for Kuo Hsiang was not the Tao of Chuang Tzu, but rather Nature (tzu-jan). Things exists and transform themselves naturally and spontaneously. There is no external agent that causes this process. 'Heaven' is not something that is lurking in the shadows but is simply the general name of Nature. Things exists and transform according to principal. Everything is self- sufficient and there is no need for an embracing original reality to govern them (as in Wang Pi's philosophy). In other words while Wang Pi emphasizes non-being, Kuo Hsiang emphasizes being. Where the former emphasizes the one, the latter draws attention to the many. For Wang Pi, principal transcends reality while for Kuo Hsiang it is immanent within them. Kuo was also a fatalist since he believed that everything has its own principal and hence is determined by it. He therefore believed in attempting to achieve contentment in whatever situation one found oneself. He did not have a place for choice or free will in his philosophy. Kuo Hsiang considered Confucius as the true sage and employed the principles of Taoism to reinterpret the Analects of Confucius. he felt that the true sage was not someone who withdrew into solitary contemplation in the mountains but rather one who remained in the center of human affairs and accomplished all things by taking no unnatural action. Thus for him Confucius was the true sage and not Lao Tzu or Chuang Tzu! "The music of Nature is not an entity outside of things. The different apertures of pipes and flutes, in combination with all things, together constitute Nature. Since non-being is non-being, it cannot produce being. Before being is produced it cannot produce other beings. Then by whom are things produced? They spontaneously produce themselves, that is all. By this is not meant that there is an 'I' to produce. The 'I' cannot produce things and things cannot produce the 'i'. The 'I' is self-existent. Because it is o by itself we call it natural.
Kuo Hsiang also wrote that:
"Not even to have the desire for the state of non-desire is the constant quality of the sage." Thus the antithesis of Taoism becomes, by a peculiar twist of reasoning, the very acme of Taoism itself! This notion of 'non-desire' shows the clear influence of Buddhism in China by this time. Kuo Hsiang sought to extend the role of Taoism from a sense of removed contemplation, to a more active one in society, but one in which the place of man was seen in a different light.
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